Today’s topic is all about the Bechdel Test and why you might want to think about it when you’re writing your novel. Not sure what the Bechdel test is and why it’s important? Don’t worry, I’ve got you covered.
What the Heck is the Bechdel Test?
For those who don’t know, the Bechdel Test (also known as the Bechdel–Wallace test) was popularised by American cartoonist Alison Bechdel.
It first appeared in Bechdel’s comic “Dykes to Watch out for”.
The strip in question was titled The Rule. To pass the Bechdel Test, a work of fiction must have:
a) at least 2 women (preferably named)
b) who talk to each other
c) about something other than a man
While the Bechdel Test is used to rate movies, it can be used when studying other forms for fiction too. Such as novels!
Is it Important?
Surely we don’t need the Bechdel Test? Fiction is full of strong, well-rounded female characters
Can I be honest with you? I didn’t really give it much thought when I originally heard of this test years ago. Convinced that there really must only be a few pieces of fiction that wouldn’t pass.
Until I started watching movies and reading books with that test in my mind. It was pretty shocking to see how often women in fiction were badly represented.
Let’s take a general example in fantasy fiction:
We all know the adventure quest concepts, usually featuring a group of differently-skilled men and… one woman.
Probably to be used as a love interest to the hero character. After all, he needs that special prize and she fits the bill.
Or what about all those sitcoms?
Where the women characters regale each other with bad relationship stories or secret crushes?
What happens is you can end up with a lot of male-dependent female characters, needing to be rescued, needing to “see past his faults” and fall in love. Needing to be his emotional support.
These women end up lacking in real character development.
Not all fiction is like that…surely?
Nope, there are some great works of fiction where the women characters are given full personalities, plot arcs and conflicts that have nothing to do with the men of the story.
But sadly they are not as many as you think.
Do I really need to think about the Bechdel Test?
Of course not! Your novel, your story…they are yours and you can do whatever the hell you want with them.
But if your novel is aimed at a broader audience that includes women, then you might want to at least consider it. It should not be used as a be-all and end-all scale for which to create your female characters. Jeez, don’t do that!
Don’t just jam in another female character and have the two have some strained awkward, unnecessary conversation that doesn’t revolve around men just to pass. That is not a solution!
Even the Bechdel Test has its flaws and some works of fiction that technically pass it, are still not doing any favours to female characters.
Instead, use it as a loose guide, as something that makes you look critically at the female characters you create to make sure they are not just a ‘prop-up’ for the male character.
My MC is female, so I don’t have a problem
Err… sorry to burst your bubble there, but just because your MC is female doesn’t mean you’ve passed.
Remember to check the rules, are their other females in the story? Do these women talk? Are their conversations about more than men?
I’m a female writer, so I’m fine
That’s another no! You might not be fine. Just because you’re a woman doesn’t mean you aren’t guilty of doing a disservice to your female characters.
Yes, even female writers who write female MCs are guilty of dulling down their characters to being heavily focused on their relationship to a male character.
It’s not a surprise, society has done a bang-up job of making many things male-centric. Even in this day and age, there is still a strange pressure on women to find a man, get married, have kids (preferably boys, need to pass on that name the woman has taken!)
So it’s no surprise we subconsciously incorporate such things into our work.
Side note: I have no issue with women who want to marry and have kids or who take their husband’s names, that is not what I am saying. I am saying that it is still often considered as an expectation of women, despite their individual thoughts and feelings on the matter.
Ari, have you been guilty of this?
Oh yes. I’ve looked back over older stories and found I was pretty guilty of having female characters that never spoke to each other. Eeessssh, looking back at these stories to see that I did that was a bit cringy.
Society constantly shapes our thoughts on women and we can all be caught in its effects without realising it. That is how ingrained it can be.
I have written female characters that are submissive, male-dependent, shallow…to name a few of their shitty characteristics (don’t get me wrong, there are some ladies out there who fit that bill… but then there are some men who fit that too!)
And before I get pounced on, writing a character like that on purpose with a strong backstory to explain or with a plot that will turn this submissive, weak and indecisive woman into something better – is fine.
What is NOT fine is just blindly stereotyping your female characters without thought. So don’t just crow-bar in some woman to be a sexual/spiritual/emotional lean-to for a male character.
The Bechdel Test isn’t perfect. However, it is a good starting point to make us think differently about how we portray our characters.
Not just women, but men too, as well as people of different ethnic groups, people with disabilities, people with mental health issues, people with different sexual orientations etc.
A book can be a tapestry of character lives’ interwoven. Try and do them all justice, M’kay?
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